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1. #HEXELS GRADIENT PALLETE FULL#
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Particles are drawn randomly into bitplanes 0-3, when they overlap you get some free transparency effects. This is used on multiple effects in the whole demo.ģ Particles with turbulence and copper glow

#HEXELS GRADIENT PALLETE FULL#

Uses that AGA feature which allows modifying one bank of colors while displaying another so you get a full line of time to modify colors. The copper is used to adjust the colors each line to create the slight underwater pulse. The super mario world effect with horizontal+vertical lowpass filter. Palette is tuned so when they combine you get some transparency/additive blend mix of them. And judging by the response so far it seemed to work out with many others as well.Ī pair of independently scrolling 16 color images with slightly different colours. At this point I was happy thatĪt least the demo is not going to look like crap! After watching this with the soundtrack again and again I also got the feeling the track fits. Then some underwater techno display graphics were made and looked decent. I was thinking for myself it was a submarine going to planet demo and diving into the ocean to map the new species (mostly finding old species though ). And then you try to match this to the stone cold effects in low color resolution which I had this time and it just didn't combine.Īfter much cursing and wanting to scrap the whole thing we found some kind of common theme in underwater exploration. Also the Miami Vice vaporwave thing was on my mind at the time. So I was watching surf videos and melancholic videos of people holding hands at the beach. The tune makes me think about surfing, sunset and summer. As Frequent wrote in the readme.txt we went through many iterations with pixelled logos and everything which had to be discarded because it either didn't match the tune

#HEXELS GRADIENT PALLETE SERIES#

It is the third in the Neonsky series where we try to make some use of Amiga features instead of just doing c2p effects in 8 FPS. Then export an SVG or layered PSD of your canvas for final touch-ups elsewhere.Maybe I should write a few lines about this prod. Add a pinch of procedural with a library of real-time post effects and shaders. Keep organized with layers, masks, and groups.

Assemble your canvas out of existing images and animations.

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